A Caroliner live show. Photo thanks to Last.fm.
Caroliner is the ongoing performance and sound recording project of an aggressively anonymous San Francisco collective. Their principle media are vinyl records and live performances, although visual arts and poetry also play important roles in their aesthetic. Since their inception in 1983, they have released 13 full-length albums, numerous EP's and have been featured on many compilations. Many of their recorded songs appear to be studio-constructed sound collages, made up of a diverse blend of post-punk jams, sound effects, bizarre Dionysian vocals, grungy folk songs, semi-orchestrated string and horn sections, field recordings, and free improvisations, often played on modified or homemade instruments. Album sides blend together as suites, and songs are connected with short interludes or transitions. These transitions can range anywhere from several-minute-long untitled piano improvisations (as on Toodoos) to a simple brief drum beat played in reverse (before "Rainbows Made of Meat" on Strike Them Hard, Drag Them to Church).
Caroliner often filters instruments through various media like telephone receivers and oddly-placed microphones, which add curious distortion and reverberation to their recordings. Some songs are further colored with media like old shellac record noise, recording tape and wire. In effect, recording media are used as instruments.
Caroliner Rainbow Scrambled Egg Taken for a Wife, Banknotes, Dreams & Signatures (1994 | ) |
Strike Them Hard, Drag Them To Church center label artwork |
There is usually only one reason why bands change their names: for marketing reasons. If another band of the same name is encountered, legal problems can ensue. If a once-cute band name has now worn out its humor, a new one can help a band feel more confident to break through to a larger audience. Caroliner changes their name so often that it's part of the project's aesthetic. In experimenting with their identity (collective and individual), Caroliner join the ranks of other contemporary projects like the Neoists, who invented the identities of Monty Cantsin and Karen Eliot for similar social/experimental reasons. These experiments also expose flaws inherent to the music business, which is wholly unable to deal with such projects.
Caroliner, Toodoos (1999) |
This phrase is understated description of their live show, which features surreal masks, costumes, instrument decorations and set pieces. Many sets pieces are colored with day-glo ultraviolet paint, which become illuminated by the half-a-dozen black lights which hang above the band. The band's spokes-character Cottypearile once described a Caroliner show as a "handful of 1800s character-denizens parading a parlor room soaked in scream light"[1]. Elsewhere, "The costumes all have semi-specific Caroliner characters portrayed by each human member, turning them into a walking musical god of some sort." [3] The band roars through their set with a feverish abandon:
Close listening to Caroliner will summon up associations a wide-ranging cross section of modern musical philosophers: Sun Ra, Mayo Thompson, Harry Partch, Captain Beefheart, The Residents, Frank Zappa John Cage, and Morton Subotnick. But just as prevalent in their sound is the influence of music from the other end of the century: American folk music and blues. The band claims to have not been influenced by bands like the Butthole Surfers, Sonic Youth; rather they cite Gid Tanner and Dock Boggs as prime influences. (Also the Barrel Gordon Trio, which may be in some obscure discography but also may have been made up by the band.)
Caroliner was a strong influence on the early Deerhoof, as well as on much of the Bay Area underground music scene, particularly Hans Grüsel's Krankenkabinet and the Spider Compass Good Crime Band. Caroliner have toured North America several times, as well as Japan, and Europe. Covers of their songs have been recorded by the Sun City Girls and Thinking Fellers Union Local 282, and probably others as well. Wolf Eyes members Aaron Dilloway and Nate Young were also strongly effected.
Due to the music business' institutional bias against such projects, wider recognition has eluded Caroliner. They performed as the closing act at the 2010 San Francisco Electronic Music Festival, indicating that perhaps their public recognition is beginning to increase.
With all that said, I close with a quote from the Buttonup Skeleton:
"Those are words that the music critics use to describe things. You must realize that with such words are you are dealing with an after-the-fact treatment of events. You are already lost. Even the most accurate of music critic description is still dealing with a history where the ghost has gone by." [3]
Do not take my word for it. Explore this important project on your own. They may be known as:
Caroliner Rainbow Grace Blocks Used In The Placement Of The Personality
Caroliner Rainbow Fingers Of The Underground & Their Breakable Bones
Caroliner Rainbow Tongue On The Fingermill Of The Paste Demon
Caroliner Rainbow Stand Still Or Fight Beans And Sunstroke
Caroliner Rainbow Brain Tool Imbued With Rust And Mold
Caroliner Rainbow Wire Thin Sheep Legs Baking Exhibit
Caroliner Rainbow Customary Relaxation of the Shale
Caroliner Rainbow Hands Replaced By Oversized Rocks
Caroliner Rainbow Scrambled Egg Taken For A Wife
Caroliner Rainbow Solid Handshake & Loose 2 Pins
Caroliner Rainbow Water Tainted Finger Sap
Caroliner Rainbow Cannon And Church Mister
Caroliner Rainbow Cook Up Yer Pants To Eat
Caroliner Rainbow Snake Tailed Waxwalker
Caroliner Rainbow Splinter Mine Deserves
Caroliner Rainbow Susans And Bruisins
Caroliner Rainbow Open Wound Chorale
Caroliner Rainbow Stewed Angel Skins
Caroliner Rainbow Hernia Milk Queen
Caroliner Rainbow Open Sore Chorale
Caroliner Rainbow Throw Up Fantasy
Caroliner Rainbow Gumkuppers
Caroliner
Caroliner Rainbow Fingers Of The Underground & Their Breakable Bones
Caroliner Rainbow Tongue On The Fingermill Of The Paste Demon
Caroliner Rainbow Stand Still Or Fight Beans And Sunstroke
Caroliner Rainbow Brain Tool Imbued With Rust And Mold
Caroliner Rainbow Wire Thin Sheep Legs Baking Exhibit
Caroliner Rainbow Customary Relaxation of the Shale
Caroliner Rainbow Hands Replaced By Oversized Rocks
Caroliner Rainbow Scrambled Egg Taken For A Wife
Caroliner Rainbow Solid Handshake & Loose 2 Pins
Caroliner Rainbow Water Tainted Finger Sap
Caroliner Rainbow Cannon And Church Mister
Caroliner Rainbow Cook Up Yer Pants To Eat
Caroliner Rainbow Snake Tailed Waxwalker
Caroliner Rainbow Splinter Mine Deserves
Caroliner Rainbow Susans And Bruisins
Caroliner Rainbow Open Wound Chorale
Caroliner Rainbow Stewed Angel Skins
Caroliner Rainbow Hernia Milk Queen
Caroliner Rainbow Open Sore Chorale
Caroliner Rainbow Throw Up Fantasy
Caroliner Rainbow Gumkuppers
Caroliner
[1] Caroliner. "Interview by way of the Museum of Viral Memory". Posted to the band's MySpace blog on December 5, 2006.
[2] Caroliner, interviewed in Skogh Magazine, Sweden. Posted to the band's MySpace page on October 4, 2006
[3] Caroliner, interviewed by someone from the Berkeley Art Museum. Posted to the band's MySpace page on March 12, 2010.
[4] Caroliner, "Caroliner Interview Questions". Posted to the band's MySpace page on Wednesday, August 19, 2009.
[3] Caroliner, interviewed by someone from the Berkeley Art Museum. Posted to the band's MySpace page on March 12, 2010.
[4] Caroliner, "Caroliner Interview Questions". Posted to the band's MySpace page on Wednesday, August 19, 2009.
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